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All products Enki BILAL • Products of the serie Coup de sang
Enki Bilal Art Print : Animal Z - The Bears
REF : BILAL-OFF-36
In stock
Only 1 in stock
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49,00 €
Enki Bilal poster: Animal Z - The Bears.
Image from the album Animal Z featuring one of Bilal's favorite animals: the polar bear.
Support: Thick and satin-finish paper.
Dimensions: 70 x 70 cm
Coup de sang
Enter the world of "Coup de sang", created by Enki Bilal between 2009 and 2014. This trilogy includes: 'Animal'z" (2009), "Julia & Roem" (2011) and "The Color of the Air" (2014). This is the great climatic disruption as Enki Bilal imagines in this ecological and dreamlike trilogy. Discover our vast selection of art posters, , Pigments prints,, postcards and T-shirts. Our products are carefully selected for you from our publishers.
Discover the artist
BILAL Enki
Enki, born Enes BILAL was born in Belgrade, in the former Yugoslavia. But it was in Paris, where he joined his entire family in 1960, that his passion for drawing was born. At the age of 20, he took his first steps to Pilote, a comic book magazine that allowed the emergence of a whole generation of cartoonists. There he met Pierre Christin<, writer of Valérian de Mézières, with whom he created his first large comics, notably Les Phalanges de l'Ordre noir (1979) and La Partie de Chasse (1983). Although he still collaborated with others, Bilal assumed, from the 1980s, both the drawing and the writing of his works, as for example for the Nikopol Trilogy. At the same time, he ventured into the cinema for the first time and directed Bunker Palace Hotel. The 90’s of Bilal are full of romanticism, coupled, technically, with a generous use of gouache. His style is strongly impacted. The Monster’s Tetralogy occupies the 2000s, as does his film Immortal Ad Vitam, which represents, on the cinema side, a kind of culmination of his work (both narrative and visual). Impacted by the decay of the planet, he begins, through Animal'z, an ecological cycle in his talk and very refined in his form. He is the first comic book artist whose works are auctioned off at a high price, thus making him the link between comic books and modern art.
BILAL Enki
Enki, born Enes BILAL was born in Belgrade, in the former Yugoslavia. But it was in Paris, where he joined his entire family in 1960, that his passion for drawing was born. At the age of 20, he took his first steps to Pilote, a comic book magazine that allowed the emergence of a whole generation of cartoonists. There he met Pierre Christin<, writer of Valérian de Mézières, with whom he created his first large comics, notably Les Phalanges de l'Ordre noir (1979) and La Partie de Chasse (1983). Although he still collaborated with others, Bilal assumed, from the 1980s, both the drawing and the writing of his works, as for example for the Nikopol Trilogy. At the same time, he ventured into the cinema for the first time and directed Bunker Palace Hotel. The 90’s of Bilal are full of romanticism, coupled, technically, with a generous use of gouache. His style is strongly impacted. The Monster’s Tetralogy occupies the 2000s, as does his film Immortal Ad Vitam, which represents, on the cinema side, a kind of culmination of his work (both narrative and visual). Impacted by the decay of the planet, he begins, through Animal'z, an ecological cycle in his talk and very refined in his form. He is the first comic book artist whose works are auctioned off at a high price, thus making him the link between comic books and modern art.
BILAL Enki
Enki, born Enes BILAL was born in Belgrade, in the former Yugoslavia. But it was in Paris, where he joined his entire family in 1960, that his passion for drawing was born. At the age of 20, he took his first steps to Pilote, a comic book magazine that allowed the emergence of a whole generation of cartoonists. There he met Pierre Christin<, writer of Valérian de Mézières, with whom he created his first large comics, notably Les Phalanges de l'Ordre noir (1979) and La Partie de Chasse (1983). Although he still collaborated with others, Bilal assumed, from the 1980s, both the drawing and the writing of his works, as for example for the Nikopol Trilogy. At the same time, he ventured into the cinema for the first time and directed Bunker Palace Hotel. The 90’s of Bilal are full of romanticism, coupled, technically, with a generous use of gouache. His style is strongly impacted. The Monster’s Tetralogy occupies the 2000s, as does his film Immortal Ad Vitam, which represents, on the cinema side, a kind of culmination of his work (both narrative and visual). Impacted by the decay of the planet, he begins, through Animal'z, an ecological cycle in his talk and very refined in his form. He is the first comic book artist whose works are auctioned off at a high price, thus making him the link between comic books and modern art.
BILAL Enki
Enki, born Enes BILAL was born in Belgrade, in the former Yugoslavia. But it was in Paris, where he joined his entire family in 1960, that his passion for drawing was born. At the age of 20, he took his first steps to Pilote, a comic book magazine that allowed the emergence of a whole generation of cartoonists. There he met Pierre Christin<, writer of Valérian de Mézières, with whom he created his first large comics, notably Les Phalanges de l'Ordre noir (1979) and La Partie de Chasse (1983). Although he still collaborated with others, Bilal assumed, from the 1980s, both the drawing and the writing of his works, as for example for the Nikopol Trilogy. At the same time, he ventured into the cinema for the first time and directed Bunker Palace Hotel. The 90’s of Bilal are full of romanticism, coupled, technically, with a generous use of gouache. His style is strongly impacted. The Monster’s Tetralogy occupies the 2000s, as does his film Immortal Ad Vitam, which represents, on the cinema side, a kind of culmination of his work (both narrative and visual). Impacted by the decay of the planet, he begins, through Animal'z, an ecological cycle in his talk and very refined in his form. He is the first comic book artist whose works are auctioned off at a high price, thus making him the link between comic books and modern art.
BILAL Enki
Enki, born Enes BILAL was born in Belgrade, in the former Yugoslavia. But it was in Paris, where he joined his entire family in 1960, that his passion for drawing was born. At the age of 20, he took his first steps to Pilote, a comic book magazine that allowed the emergence of a whole generation of cartoonists. There he met Pierre Christin<, writer of Valérian de Mézières, with whom he created his first large comics, notably Les Phalanges de l'Ordre noir (1979) and La Partie de Chasse (1983). Although he still collaborated with others, Bilal assumed, from the 1980s, both the drawing and the writing of his works, as for example for the Nikopol Trilogy. At the same time, he ventured into the cinema for the first time and directed Bunker Palace Hotel. The 90’s of Bilal are full of romanticism, coupled, technically, with a generous use of gouache. His style is strongly impacted. The Monster’s Tetralogy occupies the 2000s, as does his film Immortal Ad Vitam, which represents, on the cinema side, a kind of culmination of his work (both narrative and visual). Impacted by the decay of the planet, he begins, through Animal'z, an ecological cycle in his talk and very refined in his form. He is the first comic book artist whose works are auctioned off at a high price, thus making him the link between comic books and modern art.