Tel : (+33) 4 94 63 18 08
9am - 6pm from Monday to Saturday
All products Enki BILAL • Products of the serie BUG
REF : BILAL-PIG-43
In stock
Only 1 in stock
Unavailable
89,00 €
Luxurious pigment print edition by Enki Bilal: BUG 3 (album cover).
The pigment print is available in two different versions:
- in a limited edition of 500 copies, delivered with its numbered certificate
- in a signed and numbered edition of 150 copies
Both versions are available framed.
Embossed stamp "ENKI BILAL" in the white margin and the publisher's stamp on the back of the image.
Support: Innova Art paper 210g/m² (unsigned) and 308g/m² (signed)
Dimensions: 40 x 50 cm
****************************
Framing option:
The frame is made of black wood with a smooth texture and a flat profile, 2.5 cm wide.
Frame made in France.
Enter the world of "BUG", created by Enki Bilal between 2009 and 2014. This trilogy includes : 'BUG 1" (2017), "BUG 2" (2019) and "BUG 3" (2022). This post-apocalyptic serie is the result of a reflection by the author on the importance of computers in our world and what could happen in the event of a sudden shutdown and loss of everything contained on the Internet, as well as a reflection on memory. Discover our vast selection of art posters, , Pigments prints,, postcards and T-shirts. Our products are carefully selected for you from our publishers.
Enki, born Enes BILAL was born in Belgrade, in the former Yugoslavia. But it was in Paris, where he joined his entire family in 1960, that his passion for drawing was born. At the age of 20, he took his first steps to Pilote, a comic book magazine that allowed the emergence of a whole generation of cartoonists. There he met Pierre Christin<, writer of Valérian de Mézières, with whom he created his first large comics, notably Les Phalanges de l'Ordre noir (1979) and La Partie de Chasse (1983). Although he still collaborated with others, Bilal assumed, from the 1980s, both the drawing and the writing of his works, as for example for the Nikopol Trilogy. At the same time, he ventured into the cinema for the first time and directed Bunker Palace Hotel. The 90’s of Bilal are full of romanticism, coupled, technically, with a generous use of gouache. His style is strongly impacted. The Monster’s Tetralogy occupies the 2000s, as does his film Immortal Ad Vitam, which represents, on the cinema side, a kind of culmination of his work (both narrative and visual). Impacted by the decay of the planet, he begins, through Animal'z, an ecological cycle in his talk and very refined in his form. He is the first comic book artist whose works are auctioned off at a high price, thus making him the link between comic books and modern art.
This website uses cookies or similar technologies, to enhance your browsing experience and provide personalized recommendations. By continuing to use our website, you agree to our Privacy Policy